Adobe Typekit

Hidden Treasures of the Bauhaus Dessau Conçu par Elia Preuss, Flavia Zimbardi, Hidetaka Yamasaki et Luca Pellegrini. De Adobe Originals.

  • Polices
  • Détails
  • Disponibilité

Synchroniser les polices par groupe

  • Ag {{subfamily}} ({{fonts.length}}) Ne plus synchroniser

En savoir plus sur la synchronisation des polices

Mettre à niveau pour une utilisation web
6 polices
Vous n’avez actuellement pas accès aux polices de cette famille avec le filtre sélectionné. Changez les critères du filtre pour afficher toutes les polices de la famille.
Choix de la police :
  • {{variation.name}}

Détails de {{familyCtrl.selectedVariation.name}}

Informations sur la conception

Concepteur

Concepteurs

Conseils d’utilisation

Il est possible que le nom de cette police varie légèrement, selon l’emplacement où vous l’utilisez. Voici ce que vous devez rechercher.

Synchronisation

Dans les menus de polices des applications, cette police sera répertoriée comme suit :

{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}

Web

Pour utiliser cette police sur votre site web, appliquez la CSS suivante :

font-family: {{familyCtrl.selectedVariation.family.css_font_stack.replace('"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};

Prise en charge des glyphes et filtres stylistiques

Les polices de la bibliothèque Typekit prennent en charge différentes langues et fonctionnalités OpenType et différents styles typographiques. Si vous avez besoin d’une combinaison de langues ou de fonctionnalités prises en charge particulières, appliquez ces filtres pour affiner votre recherche tout en naviguant dans notre bibliothèque.

Synchronisation

Prise en charge linguistique

Web

Prise en charge linguistique

Echantillon de texte — Taille de police CSS (px) avec hauteur de ligne de 1,4 cadratin

18 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent”…

16 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the…

15 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive…

14 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of…

13 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of an able mind. For, let…

12 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of an able mind. For, let a man be as able & original…

11 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of an able mind. For, let a man be as able & original as he may…

10 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of an able mind. For, let a man be as able & original as he may, he can’t afford to discard knowledge of what…

9 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of an able mind. For, let a man be as able & original as he may, he can’t afford to discard knowledge of what has gone before or what is now going…

Niveaux de gris — Couleur HEX CSS

#000The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#333The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#666The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#999The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#CCCThe best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#FFFThe best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#CCCThe best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#999The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#666The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

#333The best kind of originality is that which comes after a sound apprenticeship, that which shall prove to be the blending of a firm conception of useful precedent and the progressive tendencies of an able mind. For, let a man be as able and original as he may, he cannot afford to…

Taille — Taille de police CSS (px)

36 Pack my box with five dozen liquor jugs.

30 Pack my box with five dozen liquor jugs.

24 Pack my box with five dozen liquor jugs.

21 Pack my box with five dozen liquor jugs.

18 Pack my box with five dozen liquor jugs.

16 Pack my box with five dozen liquor jugs.

15 Pack my box with five dozen liquor jugs.

14 Pack my box with five dozen liquor jugs.

13 Pack my box with five dozen liquor jugs.

12 Pack my box with five dozen liquor jugs.

11 Pack my box with five dozen liquor jugs.

10 Pack my box with five dozen liquor jugs.

9 Pack my box with five dozen liquor jugs.

Paquets 0 paquets

Affichage de 3 sur {{familyCtrl.packages.length}} paquets —
Afficher tout
Affichage de {{familyCtrl.packages.length}} sur {{familyCtrl.packages.length}} paquets —
Afficher moins

À propos de la famille

CarlMarx

This typeface is based on lettering by Carl Marx (1911–1991), designed during his first semester at the Bauhaus in Joost Schmidt’s class, in 1932. Although the letter proportions are based on Schmidt’s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today’s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines – without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

Joschmi

Joost Schmidt’s (1893–1948) name is undoubtedly connected with monolinear condensed letters of geometric appearance – his unfinished draft of a stencil alphabet, constructed on grid paper in 1930, is much lesser known. These modular shapes simply consist of half circles, quarter circles and square strokes with half-round terminals. From just six original letterforms (a, b, c, d, e, g), Flavia Zimbardi completed Schmidt’s draft and extended it to a full character set for contemporary use, adding upper case letters and different figure sets including old-style. Joschmi overcomes legibility issues usually associated with this stencil style, with special attention to the design of white space. Zimbardi lends the face even more character by carefully adding round terminals in subtle spots of the alphabet, accessible through stylistic sets.

Xants

In 1932, Xanti Schawinsky (1904–1979) designed an alphabet that combines two styles: a neo-classic stroke contrast paired with characteristics of stencil lettering. This mix is a child of its time and seems to reflect the Swiss and Italian biography of Schawinski. Luca Pellegrini took on the modern look and re-drew the letterforms, interrupted by subtle spaces where thick and thin strokes meet. Although Schawinsky had already designed a complete alphabet and figures in the early 1930s, Pellegrini took the character set to another level, adding currency signs, mathematical symbols and all kinds of punctuation – anything needed to set more than just headlines. Xants is a blend of Swiss elegance and exclusiveness with Italian charm and imperfection, a combination that never gets old.

Reross

Of all student work produced in Joost Schmidt’s Bauhaus classes, Reinhold Rossig’s (1903–1979) alphabet designs are perhaps closest to his master’s teachings: monolinear, geometric lettering, constructed on grids using compass and ruler. Drafts by Rossig, dated 1929, also demonstrate explorations of letterform width and x-height. Almost ninety years later, Elia Preuss carefully preserves Rossig’s letters and considerations in a proper typeface, by overcoming most of the optical mistakes captured in true geometric letterforms. To carry Rossig’s design further away from Schmidt’s influence, Preuss also lent more characteristic letters found on poster designs by fellow Bauhaus student Hermann Werner Kubsch. Reross is a true Bauhaus-influenced geometric sans, equipped with different historic influences and contemporary features.

À propos de la fonderie

Depuis plus de 30 ans, Adobe joue un rôle primordial dans la conception et la technologie liées aux polices de caractères. De nouveaux programmes tels que les Adobe Type Concepts portent principalement sur le développement flexible de polices et les commentaires de la communauté, tandis que la collection de polices de caractères Adobe Originals est réputée pour sa qualité, son élégance et sa vaste prise en charge linguistique. Découvrez les polices pour l’ordinateur ou le web sur Adobe Typekit.

Des polices de qualité issues des meilleures fonderies.