TewentyFourNinetyOne

Available for

  • Web Web
Regular 400
  • Web Web
The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.
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The five boxing wizards jump quickly.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Even the all-powerful Pointing has no control about the blind texts — it is an almost unorthographic life. One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.

The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.

When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Even the all-powerful Pointing has no control about the blind texts — it is an almost unorthographic life. One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.

The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.

When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way.

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About this font family

TwentyFourNinetyOne [2491] is a reinterpretation of the alphabet of 1919 by Theo van Doesburg; the original a true rendering of the thinking of the Dutch-based art movement “de Stijl,” horizontals and verticals that inspired and synced with the work of Piet Mondrian (1872-1944), Gerrit Rietveld (1888-1964), Vilmos Huszár (1884-1960), J.J.P. Oud (1890-1963) and others; planting the seed that would become the modernist “look” of the 20th century. Jump forward to 1980 and prop lettering used on the “Buck Rogers in the 25th Century” television series; a vernacular typeface that was a utilitarian mix of geometry and pixel-based forms, used to symbolize the futuristic universe of 2491. At times it would appear on spaceships, laser guns, signage at space ports or in one episode, a Spandex tapestry.

It only seemed logical to combine and rethink the letterforms, add ligatures + other extras, and see what the results would be. Futuristic, fun and bold to read!

2491: In the future, all type will look like this.

More about TewentyFourNinetyOne…

About this foundry

Steve Mehallo develops his typefaces typically as a response to a design problem, a historical quandary, or as a need for that perfect font for a certain job. All of his fonts have deep roots, detailed design research is behind every letter.

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