Azo Sans

Available for

  • Web Web
  • Sync Sync
Thin 200
  • Web Web
  • Sync Sync
The five boxing wizards jump quickly.
Thin Italic 200
  • Web Web
  • Sync Sync
Brawny gods just flocked up to quiz and vex him.
Light 300
  • Web Web
  • Sync unavailable Sync
Waltz, bad nymph, for quick jigs vex!
Light Italic 300
  • Web Web
  • Sync unavailable Sync
Vamp fox held quartz duck just by wing.
Regular 400
  • Web Web
  • Sync Sync
The five boxing wizards jump quickly.
Italic 400
  • Web Web
  • Sync Sync
Brawny gods just flocked up to quiz and vex him.
Medium 500
  • Web Web
  • Sync unavailable Sync
Waltz, bad nymph, for quick jigs vex!
Medium Italic 500
  • Web Web
  • Sync unavailable Sync
Vamp fox held quartz duck just by wing.
Bold 700
  • Web Web
  • Sync Sync
The five boxing wizards jump quickly.
Bold Italic 700
  • Web Web
  • Sync Sync
Brawny gods just flocked up to quiz and vex him.
Black 900
  • Web Web
  • Sync unavailable Sync
Waltz, bad nymph, for quick jigs vex!
Black Italic 900
  • Web Web
  • Sync unavailable Sync
Vamp fox held quartz duck just by wing.
36
The five boxing wizards jump quickly.
30
The five boxing wizards jump quickly.
24
The five boxing wizards jump quickly.
21
The five boxing wizards jump quickly.
18
The five boxing wizards jump quickly.
16
The five boxing wizards jump quickly.
14
The five boxing wizards jump quickly.
13
The five boxing wizards jump quickly.
12
The five boxing wizards jump quickly.
11
The five boxing wizards jump quickly.
10
The five boxing wizards jump quickly.
9
The five boxing wizards jump quickly.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Even the all-powerful Pointing has no control about the blind texts — it is an almost unorthographic life. One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.

The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.

When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Even the all-powerful Pointing has no control about the blind texts — it is an almost unorthographic life. One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.

The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.

When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way.

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About the foundry

Rui Abreu is a Portuguese type and graphic designer. He studied Graphic Design at FBAUP (Faculdade de Belas Artes da Universidade do Porto), where he graduated in 2003. In parallel with his interactive media designer job, Rui Abreu has been working on commercial fonts since 2006.

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