Source Sans Pro

Available for

  • Web Web
  • Sync Sync
Extra Light 200
  • Sync Sync
  • Web Web
The five boxing wizards jump quickly.
Extra Light Italic 200
  • Sync Sync
  • Web Web
Brawny gods just flocked up to quiz and vex him.
Light 300
  • Sync Sync
  • Web Web
Waltz, bad nymph, for quick jigs vex!
Light Italic 300
  • Sync Sync
  • Web Web
Vamp fox held quartz duck just by wing.
Regular 400
  • Sync Sync
  • Web Web
The five boxing wizards jump quickly.
Italic 400
  • Sync Sync
  • Web Web
Brawny gods just flocked up to quiz and vex him.
Semibold 600
  • Sync Sync
  • Web Web
Waltz, bad nymph, for quick jigs vex!
Semibold Italic 600
  • Sync Sync
  • Web Web
Vamp fox held quartz duck just by wing.
Bold 700
  • Sync Sync
  • Web Web
The five boxing wizards jump quickly.
Bold Italic 700
  • Sync Sync
  • Web Web
Brawny gods just flocked up to quiz and vex him.
Black 900
  • Sync Sync
  • Web Web
Waltz, bad nymph, for quick jigs vex!
Black Italic 900
  • Sync Sync
  • Web Web
Vamp fox held quartz duck just by wing.
36
The five boxing wizards jump quickly.
30
The five boxing wizards jump quickly.
24
The five boxing wizards jump quickly.
21
The five boxing wizards jump quickly.
18
The five boxing wizards jump quickly.
16
The five boxing wizards jump quickly.
14
The five boxing wizards jump quickly.
13
The five boxing wizards jump quickly.
12
The five boxing wizards jump quickly.
11
The five boxing wizards jump quickly.
10
The five boxing wizards jump quickly.
9
The five boxing wizards jump quickly.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Even the all-powerful Pointing has no control about the blind texts — it is an almost unorthographic life. One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.

The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.

When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Even the all-powerful Pointing has no control about the blind texts — it is an almost unorthographic life. One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.

The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.

When she reached the first hills of the Italic Mountains, she had a last view back on the skyline of her hometown Bookmarksgrove, the headline of Alphabet Village and the subline of her own road, the Line Lane. Pityful a rethoric question ran over her cheek, then she continued her way.

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About this font family

Source Sans Pro was designed by Paul D. Hunt under the guidance of Robert Slimbach. It is Adobe’s first open source typeface family, conceived primarily as a typeface for user interfaces. Source Sans Pro draws inspiration from the clarity and legibility of twentieth-century American gothic typeface designs. Distilling the best archetypical qualities of these models, Paul followed a rational design approach by simplifying glyph shapes by paring them to their essential form. However, in order to more easily differentiate similar letter shapes (such as uppercase I and lowercase L), some additional details have been added. Besides providing such explicitly clarity in short text strings, another fundamental design consideration was to create a typeface that reads well in extended settings. This can be seen in the general proportions: Source Sans Pro has been designed with a more generous width than many other comparable gothics, and its shorter majuscule letters, combined with minuscule letters with longer extenders, create a more pleasant reading texture in longer text passages.

Source Sans Pro currently supports a wide range of languages using Latin script. Additionally, this family supports modern and polytonic Greek and features coverage for extended Cyrillic. Other members of the greater Source type system include Source Code Pro, a monospaced version of Source Sans designed specifically for coding, and Source Serif Pro.

More about Source Sans Pro…

About this foundry

Adobe has been a leader in type design and technology for over 30 years. New programs like Adobe Type Concepts focus on agile font development and community feedback, while the Adobe Originals typeface collection is known for its quality, elegance, and broad language support. Find fonts for desktop or web use on Adobe Typekit.

Open source details

Source Sans Pro is available via an open source license. You're free to use it with your Typekit account just as you would any other font in the Typekit library. For information regarding other uses of Source Sans Pro, see copyright and license details for Extra Light, Extra Light Italic, Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, Bold Italic, Black, and Black Italic.

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